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Ipata/Auser Musici
(Hyperion)
3
This is the second instalment of Carlo Ipata's retrospective of flute concertos written in mid-18th-century Naples, when the city had claims to being one of the major musical capitals of Europe, and the so-called Neapolitan style, rooted in melody rather
(4AD)
3
At this point, complaining about any of Bradford Cox's musical choices seems pointless: he does what he wants, and if you
(PIAS)
3
There's a clue to this album's contents in its title – a phrase that suggests
(Parlophone)
3
To all intents, Wiltshire's Gabrielle Aplin came out of nowhere – at the start of 2012, she w
Before we take a listen to this beauty from 1974, let's have a quick look at the cover. There's New Yorker Ivers, 27 years old, a Harvard classics graduate, dressed as St Sebastian in a ripped cheesecloth shirt with the tail end of a walloping great arrow reverse-spearing from his delicately haired, sweat-moistened chest.
A precocious child with
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